By Michael Stanley
Smashed cranium, snapped ribs, and a cloying scent of carrion. go away the physique for the hyenas to devour—no physique, no case.
But whilst Kalahari online game rangers come across a human corpse mid-meal, it seems the homicide wasn’t ideal in spite of everything. sufficient facts is left to signify foul play. Detective David “Kubu” Bengu of the Botswana felony research division is assigned to the case.
Kubu’s character and body fit the moniker. His nickname is Setswana for hippopotamus—a doubtless docile creature, yet one of many deadliest at the continent. underneath Kubu’s friendly floor lies a similar unwavering unravel that makes the hippopotamus so deceptively risky. either will trample every little thing of their route to achieve an aim. And starting with the suspicious carrion loss of life, the shrewdpermanent detective battles to resolve the tangle of crime and corruption.
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Additional info for A Carrion Death (Detective Kubu, Book 1)
Frequently “struck […] by [her] likeness to a film heroine” (13), Anne decides to run away in search of exotic men and adventure. Her model is the star of The Perils of Pamela. The allusion to The Perils of Pauline, a popular (and widely-parodied) film serial about a wealthy “adventuress,” is evident: Pamela was a magnificent young woman. Nothing daunted her. She fell out of aeroplanes, adventured in submarines, climbed skyscrapers and crept about in the Underworld without turning a hair. She was not really clever, the Master Criminal of the Underworld caught her each time, but as he seemed loath to knock her on the head in a simple way, and always doomed her to death in a sewer-gas-chamber or by some new and marvellous means, the hero was always able to rescue her.
In so doing, she critiques these characters’ dependence on men, also exposing their incoherence as characters, created without an understanding of women. C. Bentley, is narrated by the murderer. As the sidekick figure in the narrative, Dr Sheppard presents himself as utterly trustworthy, but his version of events, like everyone else’s, turns out to be subjective. Through Sheppard’s misleading narrative and subsequent confession of guilt, Christie critiques the narrator’s authority in reconstructing the story.
Agatha Christie, Murder Is Easy (Glasgow: Fontana, 1971), 50, 189. Further references to this source will appear as Easy. 91. Agatha Christie, “Three Blind Mice”, in Three Blind Mice and Other Stories (New York: St Martin’s, 2001), 1–95 (76, 85). Further references to this source will appear as “Mice”. 92. Agatha Christie, Evil under the Sun (Glasgow, London: Fontana, 1988), 204. Further references to this source will appear as Evil. 93. Edelman, No Future. 94. Kathryn Bond Stockton, The Queer Child, or Growing Sideways in the Twentieth Century (Durham, London: Duke University Press, 2009), 1–57.
A Carrion Death (Detective Kubu, Book 1) by Michael Stanley