By Christiane Paul
Reflecting the dynamic creativity of its topic, this definitive advisor spans the evolution, aesthetics, and perform of today’s electronic artwork, combining clean, rising views with the nuanced insights of major theorists.
- Showcases the serious and theoretical methods during this fast-moving discipline
- Explores the historical past and evolution of electronic paintings; its aesthetics and politics; in addition to its usually turbulent relationships with verified institutions
- Provides a platform for the main influential voices shaping the present discourse surrounding electronic artwork, combining clean, rising views with the nuanced insights of top theorists
- Tackles electronic art’s fundamental functional demanding situations – find out how to current, rfile, and safeguard items that may be erased eternally via speedily accelerating technological obsolescence
- Up-to-date, forward-looking, and significantly reflective, this authoritative new assortment is trained all through by means of a deep appreciation of the technical intricacies of electronic art
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Additional resources for A Companion to Digital Art
They are dynamically involved in navigation, interpretation, transfer, contextualization, or production of images and sounds which may be g enerated by their participation. Memory, thoughts, and experiments—along with chance—may create fertile connections. The art system increasingly transforms itself into a type of organism comprising slices that organize themselves while the user has an opportunity to experience and produce combinatory meaning. Media Art’s Multifarious Potential for Complex Expression Thousands of artworks make use of and express the multifarious potential of media art.
Artforum. Burnham, Jack. 1969. ” Artforum. ◼◼◼ Introduction 19 Giannetti, Claudia. 2014. Ästhetik des Digitalen: Ein intermediärer Beitrag zu Wissenschaft, Medien‐ und Kunstsystem. Vienna, New York: Springer. Gere, Charlie. 2008. ” In New Media in the White Cube and Beyond, edited by Christiane Paul. Berkeley, CA: University of California Press. Grau, Oliver. 2003. Virtual Art: From Illusion to Immersion. The MIT Press. Huhtamo, Erkki. 2013. Illusions in Motion—Media Archaeology of the Moving Panorama and Related Spectacles.
Cambridge, MA: Whitechapel Gallery, The MIT Press. Bridle, James. 2011. ” Date accessed January 5, 2015. com/ (accessed September 24, 2015). Burnham, Jack. 1968a. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. New York: George Braziller. Burnham, Jack. 1968b. ” Artforum. Burnham, Jack. 1969. ” Artforum. ◼◼◼ Introduction 19 Giannetti, Claudia. 2014. Ästhetik des Digitalen: Ein intermediärer Beitrag zu Wissenschaft, Medien‐ und Kunstsystem. Vienna, New York: Springer.
A Companion to Digital Art by Christiane Paul