By Helen Farley
The enigmatic and richly illustrative tarot deck finds a number of wierd and iconic mages, akin to The Tower, The Wheel of Fortune, The Hanged guy and The idiot: over which loom the terrifying figures of dying and The satan. The 21 numbered cards of tarot have constantly exerted powerful fascination, manner past their unique objective, and the a number of resonances of the deck are ubiquitous. From T. S. Eliot and his "wicked pack of playing cards" in "The Waste Land" to the psychic divination of Solitaire in Ian Fleming's "Live and allow Die"; and from the satanic novels of Dennis Wheatley to the deck's adoption by means of New Age practitioners, the playing cards have nowa days develop into inseparably attached to the occult. they're now considered as arguably the most important medium of prophesying and foretelling. but, because the writer exhibits, initially the tarot have been used as leisure cards through the Italian the Aristocracy within the Renaissance. It was once in simple terms a lot later, within the 18th and nineteenth centuries, that the deck grew to become linked to esotericism ahead of evolving ultimately right into a diagnostic software for brain, physique and spirit. this can be the 1st e-book to discover the remarkably various ways that tarot has motivated tradition. Tracing the altering styles of the deck's use, from online game to mysterious oracular machine, Helen Farley examines tarot's emergence in fifteenth century Milan and discusses its later institutions with astrology, kabbalah and the Age of Aquarius.
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Extra resources for A Cultural History of Tarot: From Entertainment to Esotericism
However, it could have represented an intermediate stage between playing cards and cartes da trionfi. Though the sixteen deities were not represented as trumps in later tarot decks, there was some resemblance between the suits of Virtues, Riches, Virginities and Pleasures with those of both the regular tarot deck and regular playing cards. 46 In his letter to King René of 1449, Jacopo Marcello admitted he had augmented Michelino’s deck with some high cards, seemingly to make it compatible with games played with the seventy-eight card tarot deck.
It would be easier to discern the similarities between another card game and tarot than between board games and tarot. Consequently, there has been much speculation as to the precise nature of ‘naïbi’, a term associated with playing cards and frequently found in documentary sources from the fifteenth century. If it could be determined that this was a distinct card game, then it becomes feasible that it could be related to tarot in some way and possibly be the progenitor of that deck. It is difficult enough to distinguish between tarot cards and the ordinary playing card deck in documentary sources.
E. e. a five was less valuable than a three). 42 If the Bird suits had a forward or backward order, there must have been several cards in each suit group, not just a single King. 43 In this unique deck, the deities were ranked higher than the orders of Birds and Kings, resembling the trumps of a traditional tarot deck. The deities belonged to one or another of the suits even though they followed a strict order of one to sixteen. Elsewhere in the manuscript, Marziano stated that there were several gods of the same name.
A Cultural History of Tarot: From Entertainment to Esotericism by Helen Farley