By Gregory S. Johnston
Heinrich Schütz (1585-1672) was once an important and influential German composer of the 17th century. Director of tune on the electoral Saxon courtroom in Dresden, he used to be lauded by way of his German contemporaries as "the father of our smooth music", as "the Orpheus of our time." but regardless of the esteem within which his track continues to be held at the present time, Schütz himself and the wealthy cultural setting within which he lived remain little identified or understood past the linguistic borders of his local Germany.
Drawing on unique manuscript and print sources, A Heinrich Schütz Reader brings the composer to lifestyles via greater than a hundred and fifty files by means of or approximately Heinrich Schütz, from his earliest stories less than Giovanni Gabrieli to debts of his ultimate hours. Editor and translator Gregory S. Johnston penetrates the archaic script, confronts the haphazard orthography and out of date vocabulary, and untangles the knotted grammatical buildings and syntax to provide translations that permit English audio system, as by no means prior to, to interact the composer directly.
Most of the German, Latin and Italian records integrated during this quantity seem for the 1st time in English translation. a couple of those texts haven't even been revealed of their unique language. Dedications and prefaces of his revealed track, letters and memoranda, poetry and petitions, shuttle passes and contracts, all provide fast and unabridged entry to the composer's existence. To habituate the reader ever extra in Schütz's international, the entries are richly annotated with biographical aspect; clarifications relationships and ancestral traces; details on geographic areas, domain names, towns, courts and associations; and references to biblical, classical and modern literary resources.
Johnston opens a door for researchers and students throughout a wide diversity of disciplines, and while presents an historic supplement and literary spouse for someone who has come to understand the great thing about Schütz's track.
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Additional info for A Heinrich Schütz Reader: Letters and Documents in Translation
12 Aug. 1612) was one of the principal figures in establishing the Venetian style of the late sixteenth and early seventeenth centuries. He spent several years in Munich under Orlande de Lassus (b. 1530/32; d. 14 Jun. 1594) at the court of Albrecht V, Duke of Bavaria (b. 29 Feb. 1528; d. 24 Oct. 1579), and by 1584 was in Venice where he filled in as organist for Claudio Merulo (b. 8 Apr. 1533; d. 4 May 1604) who had vacated the post. Gabrieli’s position became permanent the following year, and he retained this post for the rest of his life.
Caspar Kittel (b. 1603; d. 9 Oct. 1639) likely began his musical career as a Dresdner Kapellknabe. With financial support from the court, Kittel studied in Italy from 1624 until 1629. He returned to Dresden from Italy with Schütz in 1630, and there taught theorbo, served as instrument inspector in 1632 and later as court organist. He studied composition with Schütz and was one of the first German imitators of Giulio Caccini (b. 8 Oct. 1551; d. 10 Dec. 1618), as can be seen in his Arien und Kantaten of 1638.
Written below the address in a second hand is the date of receipt at the court: Kassel, 22 December 1616. 12 i A Heinrich Schütz Reader [Text] Serene, Most Noble Prince, Gracious Lord, Your Princely Grace, in addition to wishes of worldly and eternal welfare, I pledge my wholly willing, humble, and most obedient service to the best of my abilities and means always, first and foremost. Most Noble Prince, Gracious Lord, Your Princely Grace’s recently forwarded gracious command to me was received safely and most humbly, and I understood sufficiently from it as well the gracious recall and summons of my insignificant person from here back to Kassel.
A Heinrich Schütz Reader: Letters and Documents in Translation by Gregory S. Johnston