By Therese Tierney
This visually attractive, conceptually wealthy and inventive ebook investigates the cultural connection among new media and architectural imaging. via a variety of fabric, from theoretical texts to experimental layout initiatives, Tierney explores notions of what the architectural picture capability today.
Within the book’s visually innovative layout framework, summary area engages discourses from structure, visible and cultural reviews to machine technological know-how and communications expertise to give an in-depth multi-media case research. Tracing a provisional heritage of the subject, the publication additionally lends a provocative and multivalent realizing to the advanced family members affecting the architectural photo at the present time.
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Extra resources for Abstract Space: Beneath the Media Surface
6 One can contextualize these principles as expressions representing the permanence or stability of an existing aristocratic hegemony. Additionally, they supported the view that architectural expressions, whether images or buildings, exist in fixed, static, timeless modes. Reynold’s treatise was a refinement on the dramatist and art critic, Gotthold Ephraim Lessing’s earlier essay, Laokoon (1766). Lessing contrasted painting’s singular moment of perception with the temporality of poetry. 7 Both Reynolds and Lessing agreed on promoting rigid or inviolable media boundaries and were unable to entertain the possibility that media might be combined.
Additionally, they supported the view that architectural expressions, whether images or buildings, exist in fixed, static, timeless modes. Reynold’s treatise was a refinement on the dramatist and art critic, Gotthold Ephraim Lessing’s earlier essay, Laokoon (1766). Lessing contrasted painting’s singular moment of perception with the temporality of poetry. 7 Both Reynolds and Lessing agreed on promoting rigid or inviolable media boundaries and were unable to entertain the possibility that media might be combined.
These examples were descriptively rendered by closely examining the textures and surfaces in a phenomenological visual experience related to Bacon’s philosophy. 6 Camera obscura (16th century) Page 39 Architectural modes of seeing longer an interpretation or reconstruction; it was actually a piece of the world, a piece of reality captured and recoded. Therefore the perceptual attitudes of the camera obscura included empiricism, veracity, and objectivity. Foremost, however, was the camera obscura’s highly representational mode, even more pronounced than that of Cartesian perspective, in that an artist–architect could only trace or represent what already existed in the physical world.
Abstract Space: Beneath the Media Surface by Therese Tierney