By Mark Fitzgerald
The electronic photographer's workflow is split into designated components - the creation Workflow and the artistic Workflow. The construction workflow is used to import and arrange huge numbers of pictures, and get ready them for presentation through evidence printing, net, or slideshow. more and more, photographers are turning to Adobe's acclaimed new Lightroom software program to control this a part of the workflow. After the easiest pictures are pointed out, photographers stream to the second one a part of the workflow, the artistic Workflow, to fine-tune unique photos utilizing various complex electronic instruments in order that the artistic imaginative and prescient is learned. an overpowering majority of electronic photographers use Photoshop for this complicated modifying.
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Additional resources for Adobe Photoshop Lightroom and Photoshop Workflow Bible
Take a moment to absorb this because it’s a huge concept to understand. Before Lightroom, when working in Photoshop this nondestructive ability only worked with raw files. When Lightroom was introduced, this use of metadata to describe every detail of a file without changing the original file was extended to JPEG, TIFF, and PSD files. Now, in Lightroom, the editing workflow for the two main capture file formats, JPEG and camera raw, are both nondestructive. This makes the editing workflows for each format virtually the same.
CROSS-REF Metadata is discussed in more detail in Chapter 4. When this feature was brought to Lightroom it was implemented in a very straightforward manner. Now it’s easy to add metadata and use it to intuitively filter and track images so they can be located when necessary — even if they’re on a hard drive that isn’t connected to the computer. This ability is huge. It allows photographers to make sense of the thousands of images on their hard drives. Nondestructive editing Earlier I mentioned that editing raw files in ACR is nondestructive because of the special nature of raw files.
Nondestructive editing Earlier I mentioned that editing raw files in ACR is nondestructive because of the special nature of raw files. When the ACR editing tools were added to Lightroom, this nondestructive philosophy was extended to all of the file formats Lightroom works with: JPEG, TIFF, PSD, and raw. That means when you’re editing a JPEG photo in Lightroom none of the changes is permanent because none of the edits takes place on the pixel level. The image can be returned to its original state at any time in the future with a single click because all of the changes made to it are recorded in a separate file that keeps track of your changes.
Adobe Photoshop Lightroom and Photoshop Workflow Bible by Mark Fitzgerald