By Carlo Caruso
During this certain remedy of the parable of Adonis in post-Classical instances, Carlo Caruso offers an outline of the most texts, either literary and scholarly, in Latin and within the vernacular, which secured for the Adonis delusion a different position within the Early smooth revival of Classical mythology. whereas aiming to supply this basic define of the myth's fortunes within the Early smooth age, the booklet additionally addresses 3 issues of basic curiosity, on which many of the unique study incorporated within the paintings has been carried out. First, the myth's earliest major revival within the age of Italian Humanism, and especially within the poetry of the nice Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis fantasy via authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis delusion in G.B. Marino's (1569-1625) Adone, released in Paris in 1623 to have fun the Bourbon dynasty and to aid their legitimacy with reference to the throne of France.
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Additional info for Adonis: The Myth of the Dying God in the Italian Renaissance
36 A poem in praise of Virgil and Virgilian poetry and places, Sarca also expands into the singing of Lake Garda’s outflowing River Mincio on whose shores stands Mantua, Virgil’s birthplace. Although relatively open to the acknowledgment of other models – a dutiful tribute is paid to the other spirit of the place, Catullus, with 28 Adonis the epithalamic celebrations of Garda and Sarca following the arrangement of Catull. 64 – Sarca remains exemplary for its stylistic unity and homogeneity. That this is what Sarca was meant to be in the eyes of its readers can also be gleaned from the glaring reticence that characterizes Pontano’s presence in the poem.
80 Even more remarkable is the imagery conveyed by a text chronologically closer to the Horti Hesperidum, the Hypnerotomachia Poliphili (1499). 81 The awestruck tone of these descriptions shows wonder for a natural occurrence that seemed to make dreams of a fantasy world concrete. 82 But without the courtyard … is a great orchard of four acres … Therein grow trees, tall and luxuriant, pears and pomegranates and apple-trees with their bright fruit, and sweet figs, and luxuriant olives. Of these the fruit perishes not nor fails in winter or in summer, but lasts throughout the year; and ever does the west wind, as it blows, quicken to life some fruits, and ripen others; pear upon pear waxes ripe, apple upon apple, cluster upon cluster, and fig upon fig.
67 This would have readily authorized etymological wordplay on Hesperides as well as on Hesperia, one of Italy’s traditional names in antiquity, and of course on Hesperus as ‘the evening star’, the planet Venus. 68 16 Adonis Finally, and significantly, the assimilation of citrus fruits to the apples of the Hesperides often occurred in, or in reference to, geographical areas where the cultivation of citrus trees was a lucrative activity. 70 Pontano’s careful choice of dedicatee, as has been seen, is similarly suggestive of a twinning between the bay of Naples and the southern coast of Lake Garda, both of which were graced with the presence of the golden fruits.
Adonis: The Myth of the Dying God in the Italian Renaissance by Carlo Caruso